{"id":310850,"date":"2026-05-07T07:10:00","date_gmt":"2026-05-07T11:10:00","guid":{"rendered":"https:\/\/electricliterature.com\/?p=310850"},"modified":"2026-05-06T17:57:07","modified_gmt":"2026-05-06T21:57:07","slug":"i-wasnt-excited-about-my-top-surgery-that-doesnt-negate-my-desire-for-it","status":"publish","type":"post","link":"https:\/\/electricliterature.com\/i-wasnt-excited-about-my-top-surgery-that-doesnt-negate-my-desire-for-it\/","title":{"rendered":"I Wasn\u2019t Excited for My Top Surgery. That Doesn\u2019t Negate My Desire for It"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Minor Meats by Billy Lezra<\/h4>\n\n\n\n<p>The right one weighs 568 grams, the left one, 547, over two pounds off my chest. For five days, two tubes drain the incisions. Ruby, then amber, fluids pool into translucent bulbs pinned to my white compression vest.<\/p>\n\n\n\n<p>It\u2019s Christmas.&nbsp;<\/p>\n\n\n\n<p>I am the tree; the blood bulbs, ornaments.&nbsp;<\/p>\n\n\n\n<p>Inside the bulbs my red blood cells are shaped like marbles, tiny spheres. The name of this condition is hereditary spherocytosis, which means I got these marbles from my mother, a hematological heirloom. Behind our upper left ribcage, our spleens destroyed these marbles and made us anemic, jaundiced, low iron, high platelet. My mother\u2019s spleen was six years old when it was removed; mine was 13.&nbsp;<\/p>\n\n\n\n<p>The night before my splenectomy, she ran me a hot bath and massaged my legs with lavender lotion. <em>When you wake up you won\u2019t be able to see or move for about 30 minutes,<\/em> she said. <em>But you will be able to hear.<\/em> The surgery lasted four hours. <em>I didn\u2019t read or talk to anyone while you were under,<\/em> she said. <em>I just imagined your body inch by inch.<\/em><\/p>\n\n\n\n<p>Once my destruction site was excised, the spheres passed through my blood undetonated. Spleenless me did new things: hike, run, make plans, keep plans, get good grades. The words on my report cards changed. The green insuficientes became suficientes, bienes, notables, sobresalientes.&nbsp;<\/p>\n\n\n\n<p>Sobre, above.<\/p>\n\n\n\n<p>Saliente, salient.<\/p>\n\n\n\n<p>Spleenless me rose above.<\/p>\n\n\n\n<p>\u201cRigor\u201d appeared everywhere, underlined.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>20 years after my splenectomy, three weeks before top surgery, my surgeon calls to discuss how my blood might behave.&nbsp;<\/p>\n\n\n\n<p>Spleenless people with spherocytosis have high platelets.&nbsp;<\/p>\n\n\n\n<p>Platelets make the blood clot.&nbsp;<\/p>\n\n\n\n<p>When it comes to surgery, you want to clot, not <em>a<\/em> clot.&nbsp;<\/p>\n\n\n\n<p>Normal platelet levels range between 150,000 to 450,000.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote alignright\"><blockquote><p>What I want is to become my own occupant.<\/p><\/blockquote><\/figure>\n\n\n\n<p>Mine are between 600,000 and 750,000.&nbsp;<\/p>\n\n\n\n<p>Because I\u2019m a spleenless person made of marbles, my surgeon says my chance of developing a post-surgical clot that could move somewhere \u201ctricky\u201d is something to \u201cconsider.\u201d By \u201ctricky\u201d I assume she means lung, heart, brain.&nbsp;<\/p>\n\n\n\n<p>\u201cDo you feel comfortable doing the surgery?\u201d I ask.<\/p>\n\n\n\n<p>\u201cAbsolutely. It\u2019s important to you, and you\u2019ll be so happy when it\u2019s done.\u201d<\/p>\n\n\n\n<p>I open my brown Moleskin and write down the words \u201chappy\u201d and \u201cimportant.\u201d I remind myself: I trust this surgeon. She\u2019s thorough, serious, kind, a total genius; I love her results.&nbsp;<\/p>\n\n\n\n<p>Toward the end of our conversation she asks if I\u2019m \u201cexcited.\u201d&nbsp;<\/p>\n\n\n\n<p>The word surfaces in my clinical notes.&nbsp;<\/p>\n\n\n\n<p>I\u2019m officially medically excited.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I\u2019m not excited to have surgery.<\/p>\n\n\n\n<p>I do not feel certain about this choice.<\/p>\n\n\n\n<p>Uncertainty does not negate desire.<\/p>\n\n\n\n<p>Some people modify their bodies to experience self-alignment, but I don\u2019t have a coalesced self I feel misaligned from.<\/p>\n\n\n\n<p>I sense my lack of coalescence is my misalignment.&nbsp;<\/p>\n\n\n\n<p>\u201cDysphoria,\u201d writes Max Delsohn, \u201c[feels] like being a tourist in my own body.\u201d<\/p>\n\n\n\n<p>Right: tourist, interloper, spectator, seditionist, assailant. I watch myself from below and above. What I want is to become my own occupant.<\/p>\n\n\n\n<p>\u201cIt sounds like this surgery is gender-expansive,\u201d says my friend Moa.&nbsp;<\/p>\n\n\n\n<p>Her language piques me, a progression: gender confirmation to affirmation to expansion. We confirm dates and times; an external action concretizes the event. We affirm, state, declare; to affirm implies an awareness of the thing being affirmed. It makes sense to feel excitement or certainty if body modification stems from what is known. But expansion doesn\u2019t have to be sure or aware of itself. Dough expands, and moss, and mycelium, and water. Expansion doesn\u2019t require certainty, just curiosity; curiosity is enough.&nbsp;<\/p>\n\n\n\n<p>\u201cAnd expansion can become affirmation,\u201d says Moa.&nbsp;<\/p>\n\n\n\n<p>After wildfires tear through forests, dormant seeds germinate\u2014slowly, then all at once.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>But I am terrified of my marbles, of my blood.<\/p>\n\n\n\n<p>In the weeks leading up to the surgery, I spend hours trying to make appointments with hematologists who can\u2019t see me in time because I\u2019m new to the area and the waiting lists are long. I find an online hematology service and meet with a practitioner who looks at my labs and assures me I\u2019ll be fine. I ask my primary doctor whether this conclusion is enough to clear me for surgery and she says yes. I ask my surgeon the same question and she says yes. But my fear gets the better of me, so I seek a fourth opinion. I book a flight out of state to see my old doctor who specializes in spherocytosis.<\/p>\n\n\n\n<p>Then I cancel the trip.&nbsp;<\/p>\n\n\n\n<p>It\u2019s too expensive, another risk.<\/p>\n\n\n\n<p>I\u2019m more likely to get sick from a trip than from a clot.&nbsp;<\/p>\n\n\n\n<p>Spleenless people are prone to infections. Certain bacterias\u2014streptococcus or neisseria\u2014sneak around our immune systems cloaked in capsules made of polysaccharides. These capsules protect pathogens from the body\u2019s attacks; spleenless people have less ammunition. If I catch a bad cold, they\u2019ll cancel the surgery. And if they cancel the surgery, it may not be rescheduled because look at the United States.<\/p>\n\n\n\n<p>When I think about not going through with it, I feel crestfallen.&nbsp;<\/p>\n\n\n\n<p>And yet it would be so much easier to absorb risk for something I\u2019m excited about.<\/p>\n\n\n\n<p>\u201cNo one said this would be easy,\u201d says Liam, my partner of 11 years.&nbsp;<\/p>\n\n\n\n<p>\u201cI haven\u2019t had a plan, or an ulterior motive, or a rhyme or a reason [for] what I\u2019ve done,\u201d says Dr. Susan Stryker. \u201cI was just doing my thing to unfold the mystery of my transness to myself.\u201d&nbsp;<\/p>\n\n\n\n<p>Unfold as in germinate as in expand.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Years ago I went on social media and shared the name and pronouns that make me feel like a person rather than an assumption. Once the language around me changed, my curiosity teethed. Might I feel closer to myself if I shapeshift? \u201cSometimes the feelings are certain and come first, and the action follows,\u201d writes Krys Malcolm Belc. \u201cBut other times, the action has to lead the feeling.\u201d And sometimes clarity comes after action, after feeling.&nbsp;<\/p>\n\n\n\n<p>It\u2019s an incredibly bureaucratic process, to become. I consulted, scheduled, perused pictures of stunning chests, found a few I loved, and set the date for my deconstruction. Then I graduated and moved down the coast, twice. Now I\u2019m supposed to go under in two weeks, and I\u2019m bone tired. Liam, who went through this surgery a few months ago, asks me if it would be better to wait.<\/p>\n\n\n\n<p>\u201cIt\u2019s not an option,\u201d I say.&nbsp;<\/p>\n\n\n\n<p>My stubbornness surprises me.<\/p>\n\n\n\n<p>I am unyielding\u2014not excited. Rigorous\u2014not certain.&nbsp;<\/p>\n\n\n\n<p>I read essay after essay after essay.<\/p>\n\n\n\n<p>From Naomi Gordon-Loebl, I learn the Latin roots of the word \u201cdecide.\u201d<\/p>\n\n\n\n<p>De, off.<\/p>\n\n\n\n<p>Caedere, to cut.&nbsp;<\/p>\n\n\n\n<p>I read medical studies about clots and spherocytosis.<\/p>\n\n\n\n<p>I check my blood, once, thrice.<\/p>\n\n\n\n<p>My platelets climb.<\/p>\n\n\n\n<p>662,000, 681,000, 738,000.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>The day my surgery date was confirmed, I was with my friend Heather in the Nashville International Airport. This was before my surgeon cautioned me about my marbles and platelets. I was in the luxurious space between opportunity and execution; this was my specter of \u201cexcitement.\u201d&nbsp;<\/p>\n\n\n\n<p>I\u2019d met Heather in graduate school, where she was earning her Ph.D in fiction. I was drawn to her incisive humor and to the way she noticed subtle patterns in the novels we studied. We\u2019d just spent 10 days in a writing conference on a campus with gothic chapels; at night we slept in a dorm that faced a cemetery. With hours to kill before our flights home, we drank iced coffee and I told her my news.&nbsp;<\/p>\n\n\n\n<p>\u201cCongratulations,\u201d she said, with a smile that seeped through me.<\/p>\n\n\n\n<p>A few months later, Heather showed up to my graduating thesis defense with roses, carnations, and lilies in a round glass jar. For two hours she listened to me answer questions about my work; she observed a pattern, an undertone; she wrote it down.&nbsp;<\/p>\n\n\n\n<p>Later, over chicken yakisoba noodles, she air-dropped me this note:<\/p>\n\n\n\n<p>\u201cBilly uses information &amp; research to feel in control but it also feeds their anxiety\u2014can we sit in knowledge and use it to process &amp; understand while accepting lack of control?\u201d&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I do not accept lack of control.<\/p>\n\n\n\n<p>I will control my body.&nbsp;<\/p>\n\n\n\n<p>I will carve it into what I imagine.<\/p>\n\n\n\n<p>I can\u2019t control the way my blood clots.<\/p>\n\n\n\n<p>But I can control the information I have about the way my blood clots.&nbsp;<\/p>\n\n\n\n<p>I can read the right studies and ask the right questions and ask for the right tests and the right medication. And by that I mean: I can control the way my blood clots. No?<\/p>\n\n\n\n<p>Once my imagination seizes danger, I gallop toward a solution.&nbsp;<\/p>\n\n\n\n<p>In my house I have a metal door jammer, a panic button, a radon detector, a propane detector, an alarm system. I can\u2019t control whether an attacker or toxin infiltrates my house\/body, but I can control how guilty I feel if something goes wrong. If I lock and jam my door and set the alarm and plug in the radon detector and something bad happens, I can forgive myself. If I read medical studies and get blood tests and talk to nurses and doctors and something bad happens, I can forgive myself. The problem with this logic is its perversion.<\/p>\n\n\n\n<p>The system that tries to protect me assails me.&nbsp;<\/p>\n\n\n\n<p>I\u2019m afraid I\u2019ll die if I have this surgery.<\/p>\n\n\n\n<p>I\u2019m afraid I\u2019ll die if I don\u2019t have this surgery.<\/p>\n\n\n\n<p>I don\u2019t have a panic button for the panic I create.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-pullquote alignleft\"><blockquote><p>The system that tries to protect me assails me.<\/p><\/blockquote><\/figure>\n\n\n\n<p>I am the hydra: I cut down one head, turn around, and there I am.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Three days before the surgery, I walk along cliffs.&nbsp;<\/p>\n\n\n\n<p>The sea is choppy.<\/p>\n\n\n\n<p>Clouds coagulate; within days an atmospheric river will run through the coast.&nbsp;<\/p>\n\n\n\n<p>These currents of air can be over 1,000 miles long, 400 miles wide, more than two miles deep.&nbsp;<\/p>\n\n\n\n<p>My phone buzzes with flood, wind, and landslide alerts.&nbsp;<\/p>\n\n\n\n<p>My father calls.<\/p>\n\n\n\n<p>\u201cI want your right breast in a jar,\u201d he says.<\/p>\n\n\n\n<p>\u201cShould I get it preserved in formaldehyde?\u201d&nbsp;<\/p>\n\n\n\n<p>\u201cAbsolutely not. I don\u2019t want the tissue to shrivel. I want it to grow arms.\u201d&nbsp;<\/p>\n\n\n\n<p>\u201cAnd where will you put my breast? Next to Tom\u00e1s?\u201d<\/p>\n\n\n\n<p>Tom\u00e1s is his human skull, a found relic from his childhood.<\/p>\n\n\n\n<p>We laugh.<\/p>\n\n\n\n<p>We talk about the river, my missing organs, my weird blood.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Along with my spleen went my gallbladder; several years before that, my appendix, minor meats. My appendix almost burst after the first time I visited my father, Michael, in the United States.&nbsp;<\/p>\n\n\n\n<p>Cambridge, 2001, Christmas. Rain, slush, snow, <em>Moulin Rouge<\/em>. I\u2019d just turned nine. Before this, Michael and I had only spent time in Madrid or in the south of Spain, once or twice a year. His girlfriend, Hilary, paid for many of his flights to see me, even though she\u2019d never met me in person.<\/p>\n\n\n\n<p>I liked her immediately. We walked around Central Square, baked salted chocolate chip cookies, and chatted. She was writing her first book, which I thought was the coolest thing in the world. I also loved the precise way she and Michael assembled dinner every night, a choreography they\u2019d learned together in culinary school. This was the first time I stepped into my father\u2019s life. He introduced me to his rituals, <em>Iron Chef<\/em>, <em>Terminator<\/em>, good knives, duck fat, pickled beets, and salmon grilled on charcoal. After nine days I returned to Madrid; two days later a surgeon rolled me into the operating room.&nbsp;<\/p>\n\n\n\n<p>\u201cApendicitis aguda gangrenosa,\u201d she said, after.&nbsp;<\/p>\n\n\n\n<p>Aguda, acute, sharp.&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Madrid, 2005, Christmas, again.&nbsp;<\/p>\n\n\n\n<p>Four years after my appendectomy, Michael flew to Spain for my splenectomy; my mother left our apartment so he could stay with me the week before. On sunny days we wandered through outdoor markets that sold items for nativity tableaus: tiny angels, goats, sheep, barrels of hay, myrrh. On rainy days we watched movies.&nbsp;<\/p>\n\n\n\n<p>On our fifth night I wanted a burger from a place called <em>Foster\u2019s Hollywood<\/em>.<\/p>\n\n\n\n<p>Michael said no.&nbsp;<\/p>\n\n\n\n<p>Anger prickled me.&nbsp;<\/p>\n\n\n\n<p>\u201cI\u2019m about to be cut open. Just give me what I want.\u201d<\/p>\n\n\n\n<p>He said no.&nbsp;<\/p>\n\n\n\n<p>Later, he knocked on my door. In his hand was a blue ceramic plate with a burger. He\u2019d bought the bun from a bakery, mixed and spiced the organic meat, frosted it with thick flecks of sea salt, and caramelized the onions.<\/p>\n\n\n\n<p>\u201cI barely used any oil,\u201d he said, \u201cso this shouldn\u2019t hurt you at all.\u201d&nbsp;<\/p>\n\n\n\n<p>I devoured it.<\/p>\n\n\n\n<p>The thing about only seeing each other once or twice a year was that our time together was all text, no subtext. We talked about concrete objects: movies, books, food; we didn\u2019t have nonverbal shorthand accumulated in shared space. I don\u2019t remember talking about how sick I felt. I imagine my mother may have told him that greasy food, from <em>Foster\u2019s Hollywood <\/em>in particular, made me curl up in bathtubs, knees to chest in hot water, and pant with pain.&nbsp;<\/p>\n\n\n\n<p>By the time it was clear my spleen had to come out, I\u2019d lost count of how many times my mother had to drive me to the emergency room after I ate something oily. For years I\u2019d tried to control my diet to control the pain. I subsisted on bland things until I caved and reached for chips or cheeses or burgers that hurt with ferocity. My doctors couldn\u2019t figure out the problem; they accused my mother of having Munchausen\u2019s syndrome by proxy. I\u2019m not sure what was more disorienting: the pain, or watching medical professionals mistreat the person who brought me peppermint tea and lavender bath balls and demanded they take me seriously.<\/p>\n\n\n\n<p>Eventually, as a result of my mother\u2019s rigor, the right doctor ordered the right test and confirmed my gallbladder was atrophied. Up until I started writing this, I thought my awful stomachaches were unrelated to my weird blood. But a quick Google search reveals that people with spherocytosis often have gallstones. The chronic destruction of red blood cells releases too much bilirubin, which then crystallizes into sediments. I\u2019m not sure why it took my doctors seven years to solve something the internet told me in seconds. But right after I turned 13, they decided to excise my troubles. Once I was two organs lighter, I\u2019d be able to run, swim, dance, study, eat oil.&nbsp;<\/p>\n\n\n\n<p>\u201cTe vas a re-encontrar,\u201d the surgeon said.&nbsp;<\/p>\n\n\n\n<p>You\u2019re going to find yourself again.<\/p>\n\n\n\n<p>As if there was an authentic self I\u2019d lost.<\/p>\n\n\n\n<p>On the day of the surgery, while my mother imagined my body, Michael helped my grandmother with her Hebrew. My mother didn\u2019t understand how my father could distract himself at a time like this; my father didn\u2019t understand how my mother could not. As I came to, the wind whined and my parents shouted. I dipped in and out of consciousness, and by the time I could see again, they were gone. When I ask Michael why they put me in the intensive care unit, he says he doesn\u2019t remember.&nbsp;<\/p>\n\n\n\n<p>What I remember most from the ICU is a little boy who I believe died in the bed next to mine. The sound of his anguish was desbocado, des-boca, un-mouthed. To be a body in pain so close to a body in so much more pain left me between shock and high octane fear.<\/p>\n\n\n\n<p>At some point, a nurse brought me a TV that played <em>Monster in Law<\/em>.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote alignright\"><blockquote><p>To make oneself visible is not neutral: Visibility begets violence; spectacle begets spectatorship.<\/p><\/blockquote><\/figure>\n\n\n\n<p>With white curtains she sectioned off the little boy\u2019s bed.<\/p>\n\n\n\n<p>His cries turned to rasps turned to quiet.<\/p>\n\n\n\n<p>In the morning the bed was empty.<\/p>\n\n\n\n<p>The nurse told me the boy left, but the underwater tone of her voice made me wonder where \u201cleaving\u201d was. She didn\u2019t say, \u201cSe fue a casa,\u201d or, \u201cSe fue con sus padres,\u201d which would have meant he went home, or with his parents.&nbsp;<\/p>\n\n\n\n<p>She said, \u201cSe fue con los suyos.\u201d<\/p>\n\n\n\n<p>He went with the people who belong to him, who he belongs to.&nbsp;<\/p>\n\n\n\n<p>Pain is relative, a relative.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>\u201cRate your pain one to ten,\u201d says the nurse.<\/p>\n\n\n\n<p>It is over, it is done, over two pounds off my chest.<\/p>\n\n\n\n<p>\u201cOne.\u201d<\/p>\n\n\n\n<p>\u201cThat\u2019s unlikely.\u201d<\/p>\n\n\n\n<p>\u201cOverwhelmingly, patients tend to rate their pain as a five, unless they are in excruciating pain,\u201d writes Eula Biss in <em>The Pain Scale<\/em>. \u201cAt best, this renders the scale far less sensitive to gradations in pain. At worst, it renders the scale useless.\u201d<\/p>\n\n\n\n<p>\u201cTwo,\u201d I say.<\/p>\n\n\n\n<p>\u201cAre you sure?\u201d<\/p>\n\n\n\n<p>Later, Liam will tell me I gripped his hand so hard his thumb changed color. Hours before the surgery, I\u2019d convinced myself that an earthquake would shatter the tectonic plates under the hospital, that I\u2019d be the reason Liam ended up dead. I was also certain a shooter would come murder the people providing affirming care. 30 minutes before I went under, I Googled fault lines and blueprints and police records and clocked all the hospital\u2019s exits and tried to figure out which waiting room would be safest for Liam. I am the hydra with hijacked heads. My terror must have glistened through the drugs, because as I woke up the nurse said: \u201cYou are completely safe here, and I would die for you.\u201d&nbsp;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Little presents arrive: two blankets and a pot of lavender honey, from my mother.&nbsp;<\/p>\n\n\n\n<p>A plant cutting with white roots in a glass jar, from Moa.<\/p>\n\n\n\n<p>A mastectomy pillow, from Hilary.&nbsp;<\/p>\n\n\n\n<p>A coloring book, from Michael, titled: <em>Well that\u2019s a weight off your chest!&nbsp;<\/em><\/p>\n\n\n\n<p>A t-shirt, from Heather: \u201cNew tits, who dis?\u201d&nbsp;<\/p>\n\n\n\n<p>For a fortnight Liam injects me with anti-coagulant delivered through a needle to my stomach. It lowers the risk of clotting but raises the risk of bleeding.&nbsp;<\/p>\n\n\n\n<p>The atmospheric river comes and goes; the clouds thin.&nbsp;<\/p>\n\n\n\n<p>My phone reminds me to move once an hour.&nbsp;<\/p>\n\n\n\n<p>I walk up and down the hall and will my platelets to loosen but not too much.&nbsp;<\/p>\n\n\n\n<p>Every day I measure the ruby I leak.&nbsp;<\/p>\n\n\n\n<p>At night, I re-read <em><a href=\"https:\/\/bookshop.org\/a\/269\/9781977527165\" target=\"_blank\" rel=\"noreferrer noopener\">Jane Eyre<\/a><\/em>.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>In graduate school I became obsessed with Charlotte Bront\u00eb\u2019s body.&nbsp;<\/p>\n\n\n\n<p>I learned she had a toothache the day she started writing <em>Jane Eyre<\/em>.&nbsp;<\/p>\n\n\n\n<p>I imagine the throb that travels from her molars to her jaw to her neck to her head as she writes the first sentence: \u201cThere was no possibility of a walk that day.\u201d Then she describes the weather: \u201cSince dinner the cold winter wind had brought with it clouds so somber, and a rain so penetrating, that further out-door exercise was now out of the question.\u201d&nbsp;<\/p>\n\n\n\n<p>In the medical manual used in Bront\u00eb\u2019s household, <em>Modern Domestic Medicine<\/em>, Thomas John Graham recommends walking to soothe toothaches and headaches. As her mouth radiates, Bront\u00eb writes that Jane can\u2019t walk that day. The weather that confines the character mirrors the pain that encloses the author. Jane can\u2019t leave the house; Bront\u00eb can\u2019t leave her body.<\/p>\n\n\n\n<p>In Bront\u00eb\u2019s extant letters she connects weather to pain. \u201cToday the weather is gloomy and I am stupefied with a bad cold and a headache,\u201d she writes to a friend. She implicates the weather, observes scholar A.J Larner, \u201cincluding the east wind or cold wind, autumn, fog.\u201d&nbsp;<\/p>\n\n\n\n<p>When I send Heather this essay, she texts: <em>did<\/em> <em>you know a walk killed Branwell Bront\u00eb?<\/em> Charlotte\u2019s brother, found in a ditch. I read about him. I read about the sequence of deaths Charlotte endured: her sisters, Maria and Elizabeth, then Branwell, then Emily two months later, then Anne, five months after that. Many of her siblings died from tubercular complications catalyzed by bad weather.&nbsp;<\/p>\n\n\n\n<p>With this context I see Bront\u00eb\u2019s pain on almost every page.&nbsp;<\/p>\n\n\n\n<p>In <em>Jane Eyre<\/em>, the fog itself breeds \u201cpestilence.\u201d&nbsp;<\/p>\n\n\n\n<p>The word \u201crain\u201d appears 34 times; \u201ccold\u201d 65 times, \u201cclouds\u201d 34 times; \u201cwind\u201d 42 times.<\/p>\n\n\n\n<p>I think about the atmosphere, about the writer\u2019s grief, teeth, skull.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Books come from cells, fingers, bones. The way I read a text transforms when I learn about the pain that spread through the body that made it; texts ache, pain patterns and leaves marks. One of the problems with my writing, my teachers say, is that my body is nowhere to be found. <em>You never describe your hands or hair or clothes or tattoos,<\/em> they point out in college, in grad school, in workshops<em>.<\/em> To describe my body feels akin to describing a city I\u2019ve flown through, a fool\u2019s errand. My absence is the illustration: Nothing to see here, do not imagine me.<\/p>\n\n\n\n<p>To make oneself visible is not neutral: Visibility begets violence; spectacle begets spectatorship. I want to erase myself as much as I want to be seen. Writing shears my mind from body. I have no canvases to fill, no stages to cross. I make no noise, no music. For years I wrote tucked in the back of a closet. I\u2019ve backspaced that detail at least twice because everyone makes fun of me for it, so on the nose it\u2019s embarrassing. My point is that I\u2019ve been told my body is hiding, missing.<\/p>\n\n\n\n<p>As I write this, I wear a purple robe.<\/p>\n\n\n\n<p>A white bandage wraps around my chest.<\/p>\n\n\n\n<p>The drains are out, so are my blood bulbs.&nbsp;<\/p>\n\n\n\n<p>My incisions don\u2019t hurt.&nbsp;<\/p>\n\n\n\n<p>My bones hurt.&nbsp;<\/p>\n\n\n\n<p>My mind hurts.<\/p>\n\n\n\n<p>The pain in my mind amplifies the pain in my body.<\/p>\n\n\n\n<p>\u201cDon\u2019t forget,\u201d says my therapist, \u201cmost people feel like shit after their surgeries. It\u2019s normal to feel like you made a mistake.\u201d<\/p>\n\n\n\n<p>I don\u2019t feel like I made a mistake.<\/p>\n\n\n\n<p>The feeling is akin to infection.<\/p>\n\n\n\n<p>Encapsulated bacteria sneak around my psychic immune system.<\/p>\n\n\n\n<p>I have nothing left to fight anything off.<\/p>\n\n\n\n<p>Every few days a nurse calls and asks me to rate my pain. I say one or two.<\/p>\n\n\n\n<p>\u201cThe pain scale measures only the intensity of pain, not the duration,\u201d writes Biss. \u201cThis may be its greatest flaw.\u201d&nbsp;<\/p>\n\n\n\n<p>Before they took my spleen, I was listless; before they took my appendix, I was gangrenous; before they took my gallbladder, I had stomachaches so piercing I asked my mother to find a doctor who would kill me. But not all pain is legible in a blood test or in an ultrasound. I don\u2019t know how to measure the pain I put my body through to escape the dysphoric pain it was in: the alcoholism, the anorexia, the pulse behind my panic buttons and alarms for catastrophes lived and imagined. Right now, right now, I am \u201cin\u201d pain, not above or below it. It swallows, like fog.<\/p>\n\n\n\n<figure class=\"wp-block-pullquote alignleft\"><blockquote><p>Euphoria can be as quiet as collagen fibers, synthesizing.<\/p><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I receive my post-operative report on Christmas Eve.<\/p>\n\n\n\n<p>I highlight the weight of each breast, record the grams in my brown Moleskine, next to \u201chappy\u201d and \u201cimportant.\u201d&nbsp;<\/p>\n\n\n\n<p>I turn the page and start writing this.&nbsp;<\/p>\n\n\n\n<p>I give myself a constraint: This essay will end as soon as the pain passes. I\u2019ve written through discomfort before, but this particular ache shortens my sentences, takes me to Bront\u00eb&#8217;s mouth, and mixes my parents and my organs into the same text. I send drafts to Liam, Moa, Heather, Michael, Hilary, to my best friend, my writing group, my writing partner, my editor. I absorb notes and questions and line-edits and corrections; I have a fantasy: There is a right way to tell this story. I\u2019ll sandpaper one word after another until I become legible to you and real to myself. \u201cIt is the narrative constructed in retrospect\u2014perhaps even more than the body\u2014that makes the self recognizable, even cognizable,\u201d writes Alex Marzano-Lesnevich. \u201cBut narrative requires language.\u201d&nbsp;<\/p>\n\n\n\n<p>And language confirms, affirms, expands, harms, regulates, warps, blesses, sanctions; like the body, language is wielded, not controlled. The pain passes and I don\u2019t stop writing. If I revise, research, get more feedback, read another book, maybe I\u2019ll get it right: sobresaliente. I just don\u2019t know what \u201cright\u201d means. Or rather, the definition keeps shifting. To reverse-engineer a narrative around an experience that lives at the end of language feels like catching mist; I am tattered and embryonic at once.&nbsp;<\/p>\n\n\n\n<p>Winter ends.<\/p>\n\n\n\n<p>Now, I\u2019m 99 days out.<\/p>\n\n\n\n<p>It\u2019s spring.&nbsp;<\/p>\n\n\n\n<p>I look up the symbolism of 99.&nbsp;<\/p>\n\n\n\n<p>Google tells me I\u2019ve completed one cycle and begun anew.<\/p>\n\n\n\n<p>I should \u201ctrust\u201d myself and \u201cembrace a major life transition.\u201d<\/p>\n\n\n\n<p>I look up the symbolism of my missing parts.&nbsp;<\/p>\n\n\n\n<p>Appendix: uselessness, resilience.&nbsp;<\/p>\n\n\n\n<p>Gallbladder: courage, judgment.&nbsp;<\/p>\n\n\n\n<p>Spleen: melancholy, fear.&nbsp;<\/p>\n\n\n\n<p>Breasts: nourishment.&nbsp;<\/p>\n\n\n\n<p>&nbsp;\u201cSomething I\u2019ve noticed,\u201d says Liam: \u201cwhen we hug our hearts feel closer.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>I had an idea of euphoria, loud, bang, ecstatic.<\/p>\n\n\n\n<p>But when I read about the word\u2019s origin, I learn it comes from Greek: Euphoros.<\/p>\n\n\n\n<p>Eu: well or easily.<\/p>\n\n\n\n<p>Pherein: to bear.<\/p>\n\n\n\n<p>To bear well.&nbsp;<\/p>\n\n\n\n<p>Around the eighteenth century, \u201ceuphoria\u201d surfaces in medical contexts. A patient may experience euphoria after acute periods of illness, treatment, suffering. This euphoria exists not outside pain, but within its endurance. A sentence from my post-op report: \u201cThe patient tolerated the procedure well.\u201d Meaning: Even unconscious I was euphoric; my body metabolized its expansion. Euphoria can be as quiet as collagen fibers, synthesizing.&nbsp;<\/p>\n\n\n\n<p>\u201cI said to the sun<\/p>\n\n\n\n<p>\u201cTell me about the big bang,\u201d writes Andrea Gibson.<\/p>\n\n\n\n<p>\u201cThe sun said<\/p>\n\n\n\n<p>it hurts to become.\u201d<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>Today feels like the first hot day in forever.<\/p>\n\n\n\n<p>I walk 15,000 steps down the coast past the harbor, boats, and seals.<\/p>\n\n\n\n<p>I sit in the shade.<\/p>\n\n\n\n<p>I open Instagram.<\/p>\n\n\n\n<p>I assemble a carousel of images: wet dough dotted with pools of oil; leaves of mint crystallized in ice cubes; Liam carving our initials in the sand; me, shirtless, stunning chest turned toward ocean. Days ago I put my silhouette on my close friends\u2019 stories but now it will live on my grid. The caption: winter decadence. I\u2019m not sure who I\u2019m posting this for.<\/p>\n\n\n\n<p>The performance of self is as strange as the performance of certainty, but sometimes spectacle makes the self concrete. By that I mean: I become aware of how much I love this body as I watch myself want to put it on the internet, like a painting: Look at me. But I feel pressure to resist the arc in which I finally get the surgery and look in the mirror and think: <em>There I am<\/em>. This may be true, but I\u2019m also as unknown to myself as ever and have zero interest in arrival. I don\u2019t think my authentic self awaits; I don\u2019t think such a self exists. It\u2019s mutable if it does: mycelium, water.<\/p>\n\n\n\n<p>I post my carousel and think about the month ahead: By the time Christmas lights climb the streetlamps, I\u2019ll be long gone from this slice of coast that teems with rain and fog and seals. I\u2019m moving once again and so many tasks await: sorting, bubble-wrapping, packing; all the minutia of taking a life apart. I think about a lecture I went to once, about ruins, how a site\u2019s destruction teaches us as much about its history as its construction. What I abandon\u2014apartments, clothes, books, organs, oceans, concepts, tissue, names\u2014matters as much as what I generate. There is no right way to expand, and I anticipate more destruction. But right now there\u2019s not a cloud in sight.<br><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Minor Meats by Billy Lezra The right one weighs 568 grams, the left one, 547, over two pounds off my chest. For five days, two tubes drain the incisions. Ruby, then amber, fluids pool into translucent bulbs pinned to my white compression vest. It\u2019s Christmas.&nbsp; I am the tree; the blood bulbs, ornaments.&nbsp; Inside the [&hellip;]<\/p>\n","protected":false},"author":7109,"featured_media":310853,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6181,85],"tags":[6179,593,6234,6436,6209],"class_list":["post-310850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-personalnarrative","category-essay","tag-body","tag-illness","tag-queer","tag-trans-rights","tag-writing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.8 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>I Wasn\u2019t Excited for My Top Surgery. 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